Thursday, 27 May 2010

Victor is the victor when it comes to discretion

Who needs legal representation, if you can do the job yourself? We might ask this question in the light of this week's decision of the Court of Appeal for England and Wales in Victor Ifejika v Charles Ifejika and Ifejika Lens Care Ltd [2010] EWCA Civ 563.

This was an appeal by litigant in person Victor Ifejika against the decision of the Patents County Court (Judge Fysh QC) last year to give summary judgment against him. In short, Victor claimed to be the UK registered proprietor of a design for a contact lens cleaning kit. This design originated from drawings produced by Murdoch, a design company. Victor said he had commissioned and paid for the designs in order to make a prototype of a product embodying the registered design. This design was first registered in 1989 in the name of a joint venture (JV) company owned by him and Charles Ifejika. An assignment of the design was subsequently made by the JV company to Victor, who sought an injunction and damages for infringement against Charles.

Charles applied for summary judgment on the basis that, since the original registration of the design by the JV company was invalid, the subsequent assignment of the design to Victor could not be effective as an assignment under the Registered Designs Act 1949, s.19. Charles's application was granted on the basis that the registration was invalid since it was applied for by someone other than the person claiming to be its proprietor.

On appeal, Victor contend said the judge had failed to consider whether the combination of his intention to vest his rights in the JV company, together with the registration of the design in that company's name, operated so as to assign the rights to the JV company in equity, thus giving it title as a proprietor entitled to registration.

The Court of Appeal (Lords Justices Kay, Rix and Patten, allowed the appeal. In the court's view:
* When considering the issue of beneficial ownership, the judge gave no indication whether it was at least arguable that the combination of factors alluded to by Victor could have been effective to create an equitable assignment of the design rights in favour of the JV company which had to be proprietor if it was to exploit it. However, on the evidence, it was seriously arguable that an equitable assignment of the design rights existed and that the company was, after all, its proprietor;

* Even if Charles was right, that would only mean that Victor, as original proprietor, would have remained the legal owner of the design rights and he could have applied in his name anyway.

* This being so, it would be wrong for the court to exercise its discretion under s.20 to order cancellation than a variation of the register.

Sunday, 23 May 2010

Crocs - more from the Board of Appeal

The Crocs appeal is available in full here. The decision contains a number of other interesting points, not all of which were decided. Here are my selection.

1. On the nature of appeals. Revocation was sought at first instance on several grounds, but some were rejected. The proprietor appealed but the applicant for revocation who had succeeded in getting the design revoked on one ground, did not appeal the others. The proprietor claimed that it therefore did not need to comment except on the ground which formed the basis of the first instance decision. The Board however held that it had "to review the whole matter brought before the first instance (so-called devolution effect), not just the grounds of appeal", particularly since the applicant for revocation referred to all of them in his response to the appeal. That suggests that the structure and content of pleadings in design revocation appeals is somewhat important. The appellant/proprietor obviously needs to address the points in the decision of the first instance which are against him, but could apparently also address points decided in his favour, or not decided at all. If he does not, then the respondent/applicant to revoke may raise them anyway - and the proprietor should respond. But might the Board raise them of its own volition even if neither party does so?

2. On the assumed infringer's right to intervene. Partenaire Hospitalier International requested permission to be joined during the appeal as a party to the invalidity proceedings in accordance with Article 54 CDR, on the basis that Crocs had arranged for an administrative seizure of their shoes. The proprietor challenged this on the basis that customs measures did not constitute ‘Proceedings for infringement’. According to the Board, "Article 54 CDR merely mentions the notion of ‘Proceedings for infringement’ but does not require that they are judicial in nature. Therefore, customs seizures, which are administrative in nature, but are aimed at securing evidence of the alleged infringement – evidence that will be relied on in a subsequent court action – should be considered included in the notion. The Board considers that nothing is gained by interpreting ‘proceedings for infringement’ too narrowly, in view of the purpose of Article 54 CDR, which is to enable a party who is being accused of infringement to defend itself." Accordingly, they were admitted as a party.

3. On the handling of third party intervention. The third party made a fairly different case to the
respondent/applicant to revoke, based largely on the alleged functionality of the design. The Board however made no use of their submissions. "Since the purpose sought by the third party – i.e. a declaration that the Challenged Design is invalid – has already been achieved on the basis of the other application for a declaration of invalidity, the Board considers that obvious reasons of procedural efficiency make unnecessary to rule on the third party’s application." This appears to constitute the application, by analogy, of Art. 32 CDIR, although the Board do not refer to that Article. It may make sense within the context of the appeal. However, if the proprietor/appellant were to successfully appeal on up to the General Court, the result would presumably be that, if they win, the case would have to be remitted back to the Board of Appeal to decide on the intervenor's case. One wonders whether the Board could in turn remit it down to the first instance. Either way, there is only a procedural economy if the Board is extremely certain that it will not be overturned by the General Court - which is perhaps reasonable given their current low reversal rates for trade marks.

4. On priority and "first" applications. The US design patent application from which priority was claimed itself claimed priority from an earlier US utility patent application. That is not possible within the European system (though cross-claims between designs and utility models (with a six-month priority period) and utility models and patents (with a twelve-month priority period) are envisaged in the Paris Convention and expressly allowed in the CDR and the EPC respectively). Thus, no European design could have claimed the priority of the original US utility patent application. The question was thus whether or not the US utility patent application was a "first" application for CDR Art. 41(1). If so, then the priority claim from the US design patent application was invalid. Alas, "For reasons of procedural efficiency, the Board decides not to examine the validity of the priority claim because that would not change the outcome of the case..." So we shall have to wait until another day to know the answer to this interesting question.

5. On the effect of a parallel patent application. Crocs filed European Patent application EP1803364 claiming priority (via a tortuous route) from the same US utility patent application. According to the respondent/applicant for revocation, "All the individual elements of the design that the Holder claims as ornamental have previously been declared by the same Holder as functional in the various patent and design patent applications filed in the USA for the same design." This kind of argument has featured quite regularly in design cases over the years, and more recently also in trade mark cases (the Philips razor case and the Lego bricks case, to name but two). On the current UK view of functionality (Landor & Hawa International Ltd v Azure Designs Ltd [2006] EWCA Civ 1285 [2006] E.C.D.R. 31) it is not conclusive since there is no reason why a feature having a function could not be shaped in one particular way of many which also has an aesthetic effect. The position is less clear under the current Board of Appeal approach following the Chaff Cutters case. It played no real part in their reasoning in this decision. In fact, underneath the sweeping statement lies a narrow point: the point of novelty of the Crocs design (and the only feature contibuted by the sole named designer/inventor) was the heelstrap, which was for an essentially functional purpose of keeping the shoe on in the wet, and shows little styling beyond what is necessary for that; the method of making the shoe with heelstrap was the subject of the patent. This issue had played out in the parallel US proceedings, where the intervening Egyptian Goddess case led to a reversal of the first instance decision, but played little direct part in the Board's decision.

6. On parallel judgments. Each party cited a parallel judgment in its favour. The respondent/applicant for revocation showed that, in interlocutory proceedings, the Düsseldorf Community Design Court of First Instance found on 27 December 2007 that the Challenged Design lacked novelty, and the appellant/proprietor cited a CAFC ruling issued on 24 February 2010 holding that two US design patents on identical subject matter are valid. The proprietor attacked the Düsseldorf judgment as the court allegedly "did not conduct detailed examinations and did not have the technical evidence that has been submitted in these proceedings." As a practical matter, one cannot tell the effect of citing such judgments from a written decision - courts rarely explicitly rely on the opinions of other courts, and this applies doubly to European institutions which must always avoid the charge of national prejudice by following one court over another. Perhaps the Board took some unspoken comfort from the Düsseldorf judgment, since it came to the same conclusion. However, as to the US judgment, the Board held that it "may be taken into account but is manifestly irrelevant" to the extent that it did not even send it to the other parties for comment, as it would have needed to do had it taken it into account at all.

7. On optional features and overall impression. A point on the heel strap was that it could be rotated forwards out of use. This showed, according to the proprietor/appellant, that it was not functional. The Board, however, found exactly the reverse: "The fact that the strap has been designed so that it can be, at the wearer’s choice, put to use or not is evidence of its functional character." We are a bit doubtful about this reasoning. More significantly perhaps, the Board found that it was not important at all since in the forwards position it was almost invisible. It constituted an "accessory", which inherently made little impact on the overall impression. I have condensed the Board's remarks, omitting some of the functionality points - apologies if this distorts their logic at all.

"In the Board’s opinion, the presence/absence of the heel strap does not alter the overall impression made on the informed user – a reasonably informed buyer and wearer of leisure footwear such as clogs – by the two designs, which remains the same. ... The informed user will perceive the strap for what it clearly is: an accessory whose only ‘raison d’être’ is to keep the foot firmly inside the clog. This is an especially desirable feature when the clog is wet inside and can be slippery. The accessory character of the strap is well demonstrated by the fact that it is not a fixed element but one that can be, so to say, neutralised or deactivated by rolling it forward. The heel strap is, in fact, an optional accessory – i.e. something that anybody wearing the clog may decide to use or not – and may hardly be qualified as ‘a significant part of the design’ (so the contested decision). ... A corollary of the above is that the Holder’s claim that the strap is an important aesthetic feature is unfounded. If this was true, the strap would have been designed as a fixed element of the clog, so as to be permanently visible. ... In the Board’s opinion, since the two product designs only differ by an element that can be made to become redundant – thus proving its accessorial and functional nature – they produce on the informed user the same overall impression. The overall impression will be influenced by the rest of the parts of the clog, which are all fixed, and whose aspect is identical."

Wednesday, 19 May 2010

Community Designs - Disclosures outside the EU

Alicante News carries an item on the appeal decision in case R 9/2008-3, the Holey Soles v Crocs appeal on the infamous yet enormously successful plastic sandals. Regular readers will recall that the US ITC decision of non-infringement on the parallel US design was overturned by the CAFC following Egyptian Goddess.  However, the European issues are significantly different, since the EU design (RCD 000257001-0001) could not take advantage of the earliest US priority dates, so that intervening sales in the US had taken place more than one year before the priority date claimed - specifically, exhibiting and selling at an International Boat Show in Florida, selling some thousands in Colorado, and running a website featuring pictures of the product.
Although the decision is not yet on the website, it appears that the Board held these disclosures were anticipating, and upheld the revocation of the design: in their view:
"The test is whether the sales could have reasonably become known to the relevant circles in the Community. And the answer is, in the Board's estimation, in the affirmative. The launch of a new product on the marketplace always attracts attention from the public at large, the press and the business circles. This sort of news circulates instantly and easily in the Internet era.”
With that in mind, European design law looks much like an "absolute novelty" regime, tempered only for the smallest or most obscure of disclosures - though, of course, the one year grace period usually gives plenty of time to file after marketing.
Is this the end of the design line?  Crocs have a habit of appealing (though not to this writer!) so perhaps the case will get to Court yet.  We will watch this space for you.

Wednesday, 12 May 2010

Stabilo stumbles in 2D/3D debacle

The General Court has today upheld the appeal of Chinese company Beifa in what promises to be a continuing dispute in Case T‑148/08, Beifa Group Co. Ltd v Office for Harmonisation in the Internal Market, Schwan-Stabilo Schwanhaüßer GmbH & Co. KG. Beifa registered the design depicted above as a Community design. Stabilo sought cancellation of this design, basing its challenge to the design registration's validity upon its earlier German trade mark (right). The Cancellation Division declared the mark invalid, finding that Stabilo's earlier mark was used in the design in dispute, in that a sign with all the characteristic features of the three-dimensional shape of the earlier mark, and in consequence similar to that mark, was incorporated ito Beifa's design. Since the goods covered by the design in dispute were identical to those covered by the earlier mark, there was a likelihood of confusion on the part of the relevant public, which gave Stabilo the right, under Paragraph 14(2)(2) of the Markengesetz (the German trade mark law) to prohibit the use of the sign used in Beifa's design.

The Third Board of Appeal dismissed Beifa's appeal. It held that, since the earlier mark had not been declared invalid by the competent German authorities under the relevant provisions of the Markengesetz, it had to be regarded as a distinctive sign within the meaning of Article 25(1)(e) of Regulation 6/2002 (the Community Design Regulation). For the purposes of that provision, an earlier sign does not need to be reproduced identically in a subsequent Community design: it is sufficient that it be incorporated, as such, in that design. What's more, although there were some differences between the design in dispute and the earlier mark, it was possible to discern the characteristic features of that mark in the design, which meant that use of the design in dispute would be in breach of the exclusive rights conferred on Stabilo as proprietor of the earlier mark, under Paragraph 14 of the Markengesetz and that Article 25(1)(e) of Regulation No 6/2002 applied. This being so, there was no need for the Board to rule on the relevance of other evidence relied on by Stabilo in support of its application for a declaration of invalidity, including a judgment of 18 January 2007 of the Oberlandesgericht Frankfurt am Main.

Beifa appealed on various grounds and was successful. The company was correct to say that its request for proof of use of the earlier mark was wrongly refused, but this was not fatal since this ground was raised for the first time only before the General Court. Beifa had more luck when it came to a comparison of the design with the earlier mark:
"113 ... it is apparent from the registration certificate for the earlier mark, which was in the case-file in the proceedings before OHIM, that that mark is figurative, consisting in the image reproduced ... above. In the light of that aspect, all the parties agreed at the hearing that the only mark taken into consideration by the various adjudicating bodies within OHIM, when considering the application for a declaration of invalidity, was the earlier mark, which is a figurative mark, a fact which was recorded in the minutes.

114 In the absence of any other explanation in the decision of the Cancellation Division, the reference in that decision to the ‘three-dimensional shape’ of the earlier mark – a reference which is, at first sight, paradoxical in relation to a figurative mark – leads inescapably to the conclusion that, instead of basing its considerations on a comparison of the design in dispute with the earlier mark, the Cancellation Division compared that design with a three-dimensional mark which was not identified in its decision.

115 It should be noted in that regard that, as emerges from the case-file from the proceedings before OHIM, Stabilo had relied, in support of its application for a declaration of invalidity, not only on the earlier mark, but also, inter alia, on a three-dimensional mark registered in Germany under number 02911311 and corresponding to the image set out ... above.

116 That error on the part of the Cancellation Division was in no way rectified by the Board of Appeal. ... the Board of Appeal ... merely repeated the features attributed to the earlier mark by the Cancellation Division, without giving any indication that the Cancellation Division had referred, incorrectly, to a three-dimensional mark rather than to the earlier mark, or that those same features were also present in the earlier mark.

117 It follows that, since, in the contested decision, the Board of Appeal based its conclusion as to the likelihood of confusion between the design in dispute and the earlier mark on the comparison of that design with a sign other than the earlier mark, it erred in law and the contested decision must be annulled".
Given the complexity of the arguments raised and the importance of this case, one wonders whether an appeal to the Court of Justice may be reasonably expected.

Thursday, 6 May 2010

Indian design registration summary

We are grateful to Vaish Associates for this summary of the Indian registration procedure which is to be found, with a commentary, in their May 2010 IP and IT Newsletter.

Wednesday, 5 May 2010

Hungary: protecting industrial designs by copyright

Hungary gets its first mention on Class 99 today, thanks to "Conditions and limitations of design and copyright protection", a piece written for International Law Office by Danubia's Katalin Horváth. In relevant part, Katalin writes as follows:
"Foreign practitioners and IP stakeholders are often unclear on the extent to which Hungarian copyright law protects industrial designs (ie, applied art) ...

Protecting industrial designs

An industrial design can be protected under Hungarian copyright law if the design has an individual and original nature deriving from the intellectual activity of its creator. This definition means that double protection does not apply automatically; the criterion of creativity (ie, individual and intellectual activity) is met for only a small proportion of normal design shapes.

Section 1(1) of the Copyright Act (76/1999) states that the act protects all literary, academic, scientific and artistic works, regardless of whether they are designated in the act. Among other things, the act refers to:

"[w]orks made by means of drawing, painting, sculpting, engraving [or] lithography, or in any other similar manner, as well as the designs thereof,... designs for technical structures, applied artworks and their designs... [and] industrial designs."

Section 1(3) stipulates that a work or creation is entitled to copyright protection on the basis of its individual and original nature deriving from the intellectual activity of its creator. Copyright protection does not depend on quantitative, qualitative or aesthetic characteristics or on any judgment on the work's quality. Sections 1(6) and (7) identify the main exceptions to copyright protection: ideas, principles, theories, procedures, operating methods, mathematical operations and folklore. However, the provision on folklore does not concern copyright protection for individual and original works that are inspired by folk art ...".